OK, maybe they're a little throbbing...
Feb. 29th, 2008 08:42 amSo, at about the same time, both Jenny and TechDirt pointed me to This
article. Short story-even-shorter, the music labels that make up the RIAA
aren't sharing with artists any of the millions (billions?) of dollers
they've recieved in lawsuits or settlements, and those artists and their
managers are considering suing their labels if they aren't paid soon.
Jenny said she expected "this might make that little vein in [my] forehead
reserved for the music industry twitch a little." But honestly? I'm not
surprised in the least. It's non-news. Now, if it were noted that the
labels WERE sharing the winnings, THEN I'd be shocked, and maybe even a bit
more sympathetic (less aggressively antagonistic?) for the Labels. But no,
they aren't sharing the money, and that's what I expected -- mostly because
it's been pointed out that the Labels' only interest is making money FROM
bands, not FOR them.
The article has a few lines from industry reps who say things like "we're
trying to determine how to split it," "not all artists were infringed on, so
not all artists deserve a share," "there's not much left after paying legal
fees," and "most of the money has already been dispursed." All fun little
ways of hiding the cash behind their collective back and saying, "money?
What money?" I especially like how they claim to be able to measure who's
being infringed on and how much; they don't know who's infringing, they
don't know who's being infringed on, but they DO know there's money to be
made! If they can just scare enough people into settling, they're golden.
On that point, though, there's an Article today about how
San Francisco law students (under the supervision of law professors) are now
helping real lawyers defend against the RIAA pro bono. So, yay for them.
As a point of fact, and as has been noted here, I really like Mike Masnick's
proposal of more businesses giving away free digital content to promote
themselves, and I think that it could do a lot of good for the music
industry. At the same time, I'm quite happy paying about a buck on a
track-by-track basis for music I know I like (free music just means I can
find more music quicker, and save my money up to go to concerts). But
everything else aside, I want to see the Labels die. They are, I'm
convinced, the worst thing about the music industry today, the root cause of
all the bland pop music and vapid lyrics that get spewed at us these days.
Indie artists aren't all great (though I'd recommend Abney Park (Imagine a happier Cruxshadows) and Psyche
Corp (Sounds kinda like Rasputina sometimes) as a couple to check out),
but I think they're where most of the really new, creative music is going to
come from and if nothing else they're going to rise or fall based on their
own talent, and they'll keep their own style because no one's going to force
them to sound like 'successful' bands.
So, uhm, yeah. I'm really ranting, aren't I? Maybe that vein's twitching
after all. In closing I'd just like to link to a couple pertinent TechDirt
comments: Record
Labels Silence Musicians, and Labels
Have Always Screwed Artists.
article. Short story-even-shorter, the music labels that make up the RIAA
aren't sharing with artists any of the millions (billions?) of dollers
they've recieved in lawsuits or settlements, and those artists and their
managers are considering suing their labels if they aren't paid soon.
Jenny said she expected "this might make that little vein in [my] forehead
reserved for the music industry twitch a little." But honestly? I'm not
surprised in the least. It's non-news. Now, if it were noted that the
labels WERE sharing the winnings, THEN I'd be shocked, and maybe even a bit
more sympathetic (less aggressively antagonistic?) for the Labels. But no,
they aren't sharing the money, and that's what I expected -- mostly because
it's been pointed out that the Labels' only interest is making money FROM
bands, not FOR them.
The article has a few lines from industry reps who say things like "we're
trying to determine how to split it," "not all artists were infringed on, so
not all artists deserve a share," "there's not much left after paying legal
fees," and "most of the money has already been dispursed." All fun little
ways of hiding the cash behind their collective back and saying, "money?
What money?" I especially like how they claim to be able to measure who's
being infringed on and how much; they don't know who's infringing, they
don't know who's being infringed on, but they DO know there's money to be
made! If they can just scare enough people into settling, they're golden.
On that point, though, there's an Article today about how
San Francisco law students (under the supervision of law professors) are now
helping real lawyers defend against the RIAA pro bono. So, yay for them.
As a point of fact, and as has been noted here, I really like Mike Masnick's
proposal of more businesses giving away free digital content to promote
themselves, and I think that it could do a lot of good for the music
industry. At the same time, I'm quite happy paying about a buck on a
track-by-track basis for music I know I like (free music just means I can
find more music quicker, and save my money up to go to concerts). But
everything else aside, I want to see the Labels die. They are, I'm
convinced, the worst thing about the music industry today, the root cause of
all the bland pop music and vapid lyrics that get spewed at us these days.
Indie artists aren't all great (though I'd recommend Abney Park (Imagine a happier Cruxshadows) and Psyche
Corp (Sounds kinda like Rasputina sometimes) as a couple to check out),
but I think they're where most of the really new, creative music is going to
come from and if nothing else they're going to rise or fall based on their
own talent, and they'll keep their own style because no one's going to force
them to sound like 'successful' bands.
So, uhm, yeah. I'm really ranting, aren't I? Maybe that vein's twitching
after all. In closing I'd just like to link to a couple pertinent TechDirt
comments: Record
Labels Silence Musicians, and Labels
Have Always Screwed Artists.